Name: Aliyu-Ibrahim, F. R.
Status: Assistant Lecturer
Department: English
  1. Aliyu-Ibrahim, F.R. (2008) "Poetry as Performance: A Semiotic Analysis of Ezenwa Oheato’s The Voice of the Night Masquerade". ALORE: Ilorin Journal of The Humanities. Vol. 18; 40-54
  2. Aliyu-Ibrahim, F.R.(2008) "A Socio-Semiotic Interpretation of Ama Ata Aidoo's Anowa". Al-hikmah Journal of the Humanities. Vol. 1, No1,. pp 1 - 15.
  3. Aliyu-Ibrahim, F.R. (2010) "Sounds f Music in Olu Obafemi's Illuminations: Songs, Dances from the Belly of Time". US-China Foreign Language. Vol. 8, No. 10. pp 20 - 28.
  4. Foluke R. Aliyu-Ibrahim "INSERTING NATURE INTO SOCIAL VISION: SUNDAY ODODO’S BROKEN PITCHERS"
  5. Foluke R. Aliyu-Ibrahim  "IMAGES OF THE WOMAN IN OLU OBAFEMI’S ILLUMINATIONS: SONGS, DANCES, FROM THE BELLY OF TIME"
  6. Aliyu-Ibrahim, F.R "NAVIGATING POLYGAMY: THE CASE OF ABIMBOLA ADUNNI ADELAKUN’S UNDER THE BROWN RUSTED ROOFS."
  7. Foluke R. Aliyu-Ibrahim GENDER AND SOCIAL CONSCIOUSNESS IN MARIA AJIMA’SPOEMS OF SANITY
  8. ALIYU-IBRAHIM, F.R. (2012). Satire and the Images of Bestial Leadership in Musa Okpanachi’s The Eaters of the Living. Springboard Journal (Al-Hikmah University Ilorin, Kwara State) No. 1, (4), 96-106.
  9. ALIYU-IBRAHIM, F.R.( 2013). Alternative Sexualities in Ogochukwu Promise’s In the Middle of the Night: Norm or Transgression? Journal of the Literary Society of Nigeria (JLSN), 5, (94-102).
  10. ALIYU-IBRAHIM, F.R. & AFOLAYAN, K.N. (2013). Revising and Self-Editing. In V.A. Alabi, S.T. Babatunde and F.A. Adekola (Eds), The Use of English in Higher Education (pp 194-199). Ilorin: The General Studies DDivision, University of Ilorin.
  11. Aliyu-Ibrahim, F.R. & Aliyu, S.B. Eco-critical Analysis of Ogaga Ifowodo’s The Oil Lamp. In NKA-ANA Journal of Association of Nigerian Authors (Anambra State Branch) Vol. 2, No. 2.
  12. ALIYU-IBRAHIM, F.R. (2015) Deconstructing the Myth of the Voicelessness of the African Woman: Julie Okoh’s Edewede (The Dawn of a New Day). Ilorin Journal of Linguistics, Literature & Culture, (A Journal of the Department of Linguistics and Nigerian Languages, Faculty of Arts, University of Ilorin), 5,(29-42).
  13. ALIYU-IBRAHIM, F.R. (with ALIYU, S.B.) (2014). An Eco-critical Analysis of Ogaga Ifowodo’s The Oil Lamp. Springboard Journal (Al-Hikmah University, Ilorin, Kwara State, Nigeria.) 1, (6), 141-151.
  14. ALIYU-IBRAHIM, F.R. (with IDIAGBON-ABDULLAHI, M.S.) (2014). Culture, Language and Gender Ideology in Adichie’s Purple Hibiscus and Shoneyin’s The Secret Lives of Baba Segi’s Wives. Ilorin Journal of Linguistics, Literature & Culture, (A Journal of the Department of Linguistics and Nigerian Languages, Faculty of Arts, University of Ilorin), 4,(118-143).
  15. ALIYU-IBRAHIM, F.R. (2013). Alternative Sexualities in Ogochukwu Promise’s In the Middle of the Night: Norm or Transgression? Journal of the Literary Society of Nigeria (JLSN), 5, (94-102).
  16. ALIYU-IBRAHIM, F.R. (2016). Vocality, Voicelessness and the Woman’s Identity in Kanchana Ugbabe’s Soulmates. In Ismaila A. Tsiga (Bayero University, Kano) and M. O. Bhadmus (Bayero University, Kano) (Eds.), Literature, History and Identity in Northern Nigeria (pp. 237-250). Ibadan: Safari Books Ltd.
  17. ALIYU-IBRAHIM, F.R. with AFOLAYAN, K.N. (2015). Common Errors in English. In Victoria A. Alabi and Sola T, Babatunde (Eds.), Basic Communications Skills for Students of Science and Humanities (pp 207-221). Ilorin: Department of English, University of Ilorin, Kwara State, Nigeria.
  18. ALIYU-IBRAHIM, F.R. (2014). Destiny as Aesthetic in Bakare’s Rogbodiyan  and The Gods and the Scavengers. In Abdulrasheed A. Adeoye (University of Ilorin, Ilorin) , Uche-Chinemere Nwaozuzu (University of Nigeria, Nsukka), Solomon Ejeke (Delta State University, Abraka) and Etop Akwang (University of Uyo, Uyo) (Eds.), Uncommon Artistry: Understanding Bakare, Ojo Rasaki’s Dance, Drama and Theatre (pp 176-186). London, United Kingdom: SPM Publications in Conjunction with The Department of Theatre and Media Arts, Federal University, Oye-Ekiti, Ekiti State, Nigeria.