Dr. AbdulRasheed, Adeoye Abiodun
Status: Senior Lecturer
Department: Performing Arts.   

 

 


His Publications are:

  1. 1. Adeoye, A. AbdulRasheed. 2011. “Documenting Research: The Modern Language Association (MLA) Style”. Writing Up Research: Current Trends in the Humanities (Eds.) Z. I. Oseni, V. A. Alabi and O. C. Medubi. PP. 127-146. Ilorin:
       Faculty of Arts, University of Ilorin.
    2. Adeoye, A. AbdulRasheed. 2011. “The Crisis of Intermission in the African Theatre: A Re–interpretation of Recent Performances in the Nigerian Literary Theatre”, Ilorin Journal of Linguistics, Literature and Culture, Ilorin:
    Departments of Linguistics and Nigerian Languages.2: 147- 161.
    3. Adeoye, A. A. 2010. “On Theatre Scholarship and Controversy: The Case of the Director in the Traditional African Theatre”, The African Symposium. Vol. 10, No 2,December: PP. 84-93.
    4. Adeoye, A. AbdulRasheed. 2010. “Dadaism, Nietzsche’s Neurosis and the
    Dramaturgy of Godlessness in the Nigerian Theatre”
    in Adam K.A. Chekpwony
    and Peter M.J. Hess (Eds), Human Views on God: Variety Not Monotony.
    Eldoret: Moi University Press, Kenya. 105–117.
    _ This article was initially published in year 2009 by UNIZIK Journal of Arts and
    Humanities Awka: Faculty of Arts. 10(2): 1–26.
    5. Adeoye, A. A. 2010. “Cultural Reconstruction and Experimental Exploration for
    Peace in Olu Obafemi’s Dark Times Are Over?”,
    Journal of Sino-US English
    Teaching. Illinois-USA: David Publishing Company, Abstracted and Indeexed by
    EBSCO, Massachusetts, Vol. 7 No 10, Serial 82 .PP.52-60.
    6. Adeoye, A. A. 2010. “Between Verbal and Non-verbal Theatricals: A Director-
    Humanist Approach to the Theatricalisation of African National Development,
    ABIBISEM: Journal of Culture Cilization. Cape Coast: Department of History,
    University of Cape Coast. PP.46-63
    7. Adeoye, A. AbdulRasheed. 2009. "The Smart Game (A Neo-alienation Script)".
    Ilorin: Department of the Performing Arts, University of Ilorin: 1–77.
    8. Adeoye, A. AbdulRasheed. 2009. "The Killers (A Social Drama)". Ilorin:
    Department of the Performing Arts, University of Ilorin: 1–65.
    9. Adeoye, A. AbdulRasheed. 2008. “Interdisciplinary Dialogue and the Future of Play
    Directing in the Nigerian Theatre Education and Practice”,
    Lapai Journal of Arts
    and Education, Lapai: IBB University, Niger State. 2(2): 1–12.
    10. Musa, R.A. 2007. “Interpreting Soyinka’s Comedies for Theatrical Direction”,
    Journal of the School of Language, Literature and Culture Studies. India:
    Jawaharial Nehru University. 8:58–70.
    11. Musa, R.A. 2007. “The Director and the Utilization of Technical Aids in the
    Nigerian Theatre”,
    The Abuja Communicator: A Journal of Culture and Media
    Arts, Abuja: Department of Theatre Arts, University of Abuja. 3(1): 35–54.
    12. Musa, R.A. 2007. “The Endless Metaphor: Directors and the Plays of Yerima”
    Making Images, Re-making Life: Art and Life in Ahmed Yerima. (Eds)
    Uwemedimo Atakpo and Steve Iniegbe PP. 290–229. Uyo: Modern Business Press.
    13. Musa, R.A. 2006. “The Play Director and Production Philosophy: The Thesis and
    Synthesis”,
    An Encyclopedia of The Arts. (Ed) Adeleke Fakoya. 11(3): 230–238
    Lagos: Faculty of Arts, Lagos State University. This chapter can be found at
    www.cardinetnigeria.com/lasu/arts/publications or
    www.unilorin.edu.ng/publications/rasheed/ASU/2.pdf.
    14. Musa, R.A. 2006. “The Drama and Theatre of Wole Soyinka”, An Encyclopaedia of
    The Arts. (Ed) Adeleke Fakoya. II(3): 216–229. Lagos: Faculty of Arts, Lagos State
    University. This chapter can be found at
    www.cardinetnigeria.com/lasu/arts/publications or
    www.unilorin.edu.ng/publications/rasheed/ASU/2.pdf.
    12
    15. Musa, R.A. 2006. “The Theatre of Ovonranwen: A Reflection on the Dramaturgy
    and Politics of Historical Reconstruction in the Nigerian Theatre”,
    Babel:
    International Journal of Translation. Belgium: International Federation of
    Translators. 52(2): 153–171.
    16. Musa, R.A. 2006. “Theatre for Development in the Nigerian Prison: Experience and
    a Performance Guide”
    , The Performer: Ilorin Journal of the Performing Arts,
    Ilorin: Department of the Performing Arts, University of Ilorin. 8: 62–82.
    17. Musa, R.A. 2006. “Democratic Direction and the Aesthetics of Military Theatre in
    Nigeria”,
    Ilorin Journal of History, Ilorin: Department of History, University of
    Ilorin. 1(2): 40-60.
    _ The above article was initially published in year 2002 by Work in
    Progress, Zaria: Department of English, Ahmadu Bello University. 13:
    154–177.
    _ This article was also published in year 2003 by Theatre Experience: A
    Journal of Contemporary Theatre Practice, Awka: Theatre Arts
    Department, Nnamdi Azikiwe University. 2(1): 1–9.
    18 Musa, R.A. 2005. “Sustaining the Development of Theatre Practice in Nigeria: Options
    for Theatre Workers”,
    Nigerian Theatre Journal, Lagos: Society of Nigeria Theatre
    Artists (SONTA). 8(1): 16–37.
    19 Musa, R.A. 2005. “Deconstructionist Approach to Play Directing”, The Abuja
    Communicator: Abuja Journal of Culture and Media Arts, Abuja: Department of
    Theatre Arts, University of Abuja. 2(1): 56–80.
    20 Musa, R.A. 2004. “Culture and the Limit of the Directorial Power: A Reflection on the
    National Question and the Theatre of Nudism in Nigeria”,
    Nigerian Theatre Journal,
    Abuja: Society of Nigeria Theatre Artists (SONTA). June: 171–197.
    21 Musa, R.A. 2004 “Multiculturalism and the Dialectics of Ethnic Images in the Nigerian
    Theatre”,
    The Performer: Ilorin Journal of the Performing Arts, Ilorin: Department
    of the Performing Arts, University of Ilorin. 6:63–82.
    22 Musa, R.A. 2003. “Revitalisation of the Nigerian Economy: The Theatre Arts Option”,
    Ayingba Journal of Arts and Humanities, Ayingba: Faculty of Arts, Kogi State
    University. 2(2): 16-25.
    • With the same title, the above article was initially published in year 2000 by
    Castalia: Ibadan Journal of Multicultural Studies, Ibadan: Faculty of Arts
    (Egbe Ifie and Contributors). 2(2): 190-200.
    13
    23 Musa, R.A. 2003. “Technical Language and Code in the Play Directing Process”,
    Makurdi Journal of Arts and Culture, Makurdi: Faculty of Arts, Benue State
    University. 5:17–28.
    24 Musa, R.A. 2003. “Theatre Practice and Electioneering Campaigns in Nigeria”, Legon
    Journal of the Humanities. Ghana: Faculty of Arts, University of Ghana. 14:37.
    25 Musa, R.A. 2002. “Play Directing and Directors: An Evolutionary Documentation in the
    Nigerian Theatre”,
    Humanities Review Journal, Ife: Humanities Research Forum. 2(1):
    46–56.
    26 Musa, R.A. 2002. “Matching the Play-text with the Play Performance: A Directorial
    Analysis of Osofisan’s Many Colours Make the Thunder King”.
    Alore: Ilorin
    Journal of the Humanities, Ilorin: Faculty of Arts, University of Ilorin. 12: 110–125.
    27 Musa, R.A. 2001. “The Theatre of Healing: ‘Ehoro-Iba’ Masquerade of Agbeyeland as a
    Paradigm”,
    The Abuja Communicator: Abuja Journal of Culture and Media Arts,
    Abuja: Department of Theatre Arts, University of Abuja. 1(1): 111–122.
    28 Musa, R.A. 2001. “Psychology as a Factor in Play Directing”, The Performer: Ilorin
    Journal of the Performing Arts, Ilorin: Department of the Performing Arts, University
    of Ilorin. 3:92–103.
    29 Musa, R.A. 2001. “Sociology and Play Directing: The Meeting Point”, Ibom Journal of
    Social Issues, Uyo: Department of Sociology/Anthropology, University of Uyo. 6(2):
    107–116.
    30 Musa, R.A. 1999. “Advocating Religious Tolerance Through Theatre Practice”,
    Centrepoint: Ilorin Journal of Intellectual, Scientific and Cultural Interest, Ilorin:
    University of Ilorin. 9(1): 29–4